Fournier Street
This street, formerly Church Street, was the
last to be built on the estate, and contained, particularly on its south side (Plate 65a), some of its
best houses. The row of gardens at the back of the
houses on the south side is the only one shown on
the 1873–5 Ordnance Survey map of the district
and the gardens contained mulberry and fig trees
and vines into this century. But although the
houses here, as elsewhere on this estate and also on
the Tillard estate, were planned and constructed
essentially for domestic occupation, a considerable
number were soon occupied by firms connected
with the silk industry. The building lease of the
finest house in the street, No. 14, included,
doubtless like those of other houses, a restrictive
covenant respecting its use for noxious trades. But
silk- or worsted-dyeing was specifically excluded from this restriction, and the house was
occupied commercially, at least in part, as early as
1743. In this house, as in Spital Square, silk
waste was packed between the floor joists,
probably to deaden the sound of looms in the
garret storey. (ref. 182)
In most of the street, as doubtless elsewhere, the
building lessee was obliged to pave the foot-way
before his frontage, and also the roadway to the
central open gutter which ran down the street. (ref. 183) The street immediately north of Christ Church
including the foot-way in front of Nos. 1–3 was,
however, the property of and paved by the parish.
Until 1743 the pavement on the south side of the
street was obstructed by the steps leading up to
the north door of the church. In 1752 the part of
the street belonging to the parish was ’in a very
bad condition’ and was repaved at a cost of more
than £100. (ref. 184)
The foot-way was protected from the roadway
by vertical posts, maintained by the lessees. (ref. 185)
The residential attraction of the street was
probably preserved in its early years by the somewhat indirect communication of its western end
with Red Lion Street, shown on Rocque's map,
whereby through traffic was presumably somewhat restricted. Horwood's map of 1799 shows
an unobstructed west end, and in fact by 1778,
when the construction of Union Street and the
widening of Brick Lane was being considered as
part of a ’Line of Communication’ between
Moor fields and Whitechapel, Fournier Street was
intended to receive much of the through traffic on
this ’Line’.
No. 2 Fournier Street, Christ Church
Rectory
Formerly No. 1 Church Street
This house (Plates 66a, 67a) was built in
1726–9 by the Commissioners for Building Fifty
New Churches. It occupied the eastern part of
the site purchased by the Commissioners from
Wood and Michell and others in 1713. It was
erected while the church was being completed and
at the same time as the building, under leases from
Wood and Michell, of the other houses on the
south side of the new 'Church Street'. The design
was supplied to the Commissioners by their surveyor, Nicholas Hawksmoor.
In July 1725 Hawksmoor and John James included in their estimate of work still needing to be
done by the Commissioners in Spitalfields the provision of a minister's house, at an estimated cost
of £800. (ref. 186) On the same day they were ordered
to prepare a plan of the house. (ref. 187) A roughly
executed elevation for a minister's house at Spitalfields, differing considerably from that built,
exists among the Commissioners' papers and was
perhaps made at this time. Nothing more is
recorded until April of the next year, when
Hawksmoor and James were ordered to make
plans of the ministers' houses which were to be
built for the churches of Spitalfields, St. George in
the East, St. George, Bloomsbury, and St. John,
Smith Square, and to obtain estimates from workmen. (ref. 188) On 23 May the Commissioners ’Ordered that a minister's House for the Parish of
Spittlefields according to the Plan laid before the
Board by Mr. Hawksmoor be built for a sum not
exceeding One Thousand Pound’. The contracts with the workmen for the house were to be
’upon the foot of the Contract made for that built
for the minister of [Stratford] Bow’. (ref. 189)

Figure 41:
No. 2 Fournier Street (Christ Church Rectory), 1726, plans
The same workmen were employed as on the
church: Thomas Lucas, bricklayer; Thomas
Dunn, mason; Samuel Worrall, carpenter;
Gabriel Appleby, joiner; Thomas Darby and
Gervas Smith, carvers; Isaac Mansfield, plasterer;
John Robins and John Cleave, smiths; Jos.
Goodchild, glazier; James Preedy, painter; and
George Deval, plumber. In addition a William
Tayler, possibly the builder then working in
Church Street, was paid £17 for laying a sewer and
fencing ’the Holes dugg to know the foundation’.
By the end of 1726 the carcass of the house had
been built and tiled and the bricklayer's work completed. The external masonry in Portland stone,
on doorcase, window-sills, cornice, parapet and
chimney-tops, had also been finished. The carpenter had been paid for work on the fir roofing
and flooring and the glazier had received the
greater part of the total sum paid him, for providing ’Crown Glass in Putty’.
By the end of March 1728 the interior had
been virtually completed. The mason had made
the chimneypieces, paved the cellars, and made
the steps to the front door. The smith, who had
provided the chimney-bars in 1726, was paid
£317s. 9d. for ’Iron Gates and Railing’. The
plumber's bill for sash weights came to £20 6s.
The carpenter's work included the wainscoting,
window sashes and frames, the deal staircase,
staircase-rail and balusters, the flooring, window
shutters, oak and deal doorcases and the provision
of centring for the construction of the vaults and
doors. The joiner's work included the provision
of deal beadwork: he was paid 12s. 3d. in respect
of a fir doorcase ’stuck with a bead’. All the
painter's work, in four coats, was completed.
By this time the house had cost £1,367 6s. 2d.,
compared with the first estimate of £800 and the
maximum of £1,000 laid down by the Commissioners. Between March 1728 and June 1729
work was done on the gutters, water-tabling and
sewers, and after June 1729 the glazier provided
further crown glass for thirty-eight sash squares,
the carpenter did further work in deal panelling
and ’new hanging 30 windows’, and the mason
worked on the coping and basement windows. He
also mended tiles on the roof. This later work
brought the total cost of the house to £1,456 8s.
10d.
|
| Cost of Work on the House |
|
25 March 1725– 31 Dec. 1726 |
1 Jan. 1726/7– 25 March 1728 |
25 March 1728– 24 June 1729 |
25 June 1729– 25 March 1731
|
|
£ |
s. |
d.
|
£ |
s. |
d.
|
£ |
s. |
d.
|
£ |
s. |
d.
|
| Bricklayer |
289 | 9 | 4 |
– |
– |
– |
| Mason |
86 | 1 | 11 |
186 | 4 | 9 |
– |
24 | 17 | 6 |
| Carpenter |
143 | 8 | 10 |
251 | 15 | 7 |
– |
20 | 1 | 0 |
| Joiner |
– |
93 | 9 | 1 |
– |
– |
| Carver |
– |
1 | 4 | 0 |
– |
– |
| Plasterer |
– |
34 | 0 | 3 |
– |
– |
| Smith |
17 | 2 | 4 |
43 | 13 | 5 | – | – |
| 25 | 6 | 0 |
| Glazier |
19 | 1 | 11 |
– |
– |
2 | 15 | 9 |
| Painter |
– |
43 | 12 | 8 |
– |
– |
| Plumber |
84 | 4 | 6 |
49 | 1 | 7 |
24 | 8 | 5 |
– |
| William Tayler |
– |
– |
17 | 0 | 0 |
– |
| Totals |
639 | 8 | 10 (fn. a)
|
727 | 17 | 4 |
41 | 8 | 5 |
47 | 14 | 3 |
Sum Total £1,456 8s. 10d.

Figure 42:
No. 2 Fournier Street (Christ Church Rectory), 1726, front elevation

Figure 43:
No. 2 Fournier Street (Christ Church Rectory), 1726, section
The bricklayer was paid for his brickwork at
£5 15s. per rod.
The mason was paid for his exterior work at
1s. 11½d. per foot for’Cub[ic] Portland Common
Block’, 1s. per foot for ’Plain Work of the Same’;
and 1s. 4d. per foot for ’Sup[erficia]ll molded
work of the same’. He was paid 10d. per foot for
'Running of Dentelling’ in the cornice. For some
of his interior work he was paid at a higher rate,
being paid 2s. per foot for ’Sup[erficia]ll portland
Chimney pieces 3 in: thick’. He provided 22 feet
4 inches of ’Sup[erficia]ll White and veined
Marble Squares’ at 2s. 6d. per foot and 148 feet
6 inches of ’Sup[erficia]ll rigate hearth at 1s. per
foot’. Apart from this all the internal stonework
was Portland or Purbeck. The latter was used
for paving and, as ’Purbeck Channel Stone’, was
used ’in Terrass’.
The carpenter was paid £32 16s. 6d. for the
steps of the staircase, stair-rail and square half
turned and square half-twisted balusters. The
carvers provided sixteen brackets at the end of each
step of the first flight of stairs for 1s. 6d. each
bracket. (ref. 190)
The rectory (figs. 41–3) is a large house containing a basement, three storeys, and a roof
garret. The building is more solidly constructed
than most houses in the Spitalfields area, with
internal walls dividing each storey into three fair
sized rooms and a large staircase compartment,
this last occupying the west half of the front part
of the house. The two rooms at the back are prolonged by semi-hexagonal bays, an unusual
feature, but apparently an original one (Plate 67a).
The front to Fournier Street (Plate 66a) is well
related to the great church alongside by its austere
character and the bold scale of the crowning cornice. The bricks used are plum-coloured stocks
for the general facing, with red rubbers for the
quoins and window dressings. Stone is used for
the doorcase, the window-sills, and the dentilled
cornice which is returned at each end against the
brick face. There are four segmental-headed
window openings evenly spaced in each upper
storey, the doorway occupying the third opening
in the ground storey. The double-hung sashes,
some having the original stout-section glazing
bars, are recessed within reveals that are nine
inches deep, a noteworthy departure from the
customary use of flush frames. The eight
panelled door is recessed in a stone doorcase of
simple design, with a Classical architrave frame
surmounted by a plain frieze and moulded cornice. The cross-headed railings to the front areas
are probably Victorian.
The interior is well finished, the ground- and
first-floor rooms being lined with panelling in two
heights. Generally, the fielded panels are recessed in moulded framing, but on some walls they are raised on bolection mouldings. The most
handsome feature is the staircase (Plate 94a,
fig. 44), which rises round three sides of an oblong
well with a gallery landing on the long fourth side.
Between the ground and first floors the strings are
cut and faced with carved brackets. The three
balusters to each tread have turnings of similar
profile but differ in that the middle one is plain
shafted while the others are twisted. The
moulded handrail has a wide curtail and ramps up
over each of the column newel-posts. The upper
flights have moulded closed strings and the straight hand-rails are housed into the newels. Here, and
along the galleries, twisted and plain-shafted
balusters are used alternately.

Figure 44:
No. 2 Fournier Street (Christ Church Rectory),
1726, detail of staircase balustrade
Nos. 4–22 (even) Fournier Street
including Howard House (No. 14)
Formerly Nos. 2–10 (consec.) Church Street
No. 22 rebuilt
All these houses were built under ninety-eight
year building leases granted to carpenters by Wood
and Michell on 26 July 1726, a month after the
rectory was ordered to be built. The houses were
described in the leases as ’erected or now in
building’ (ref. 191)
The lease of No. 4/6, then a single house, was
granted to Marmaduke Smith of Spitalfields,
carpenter. He was doubtless its first occupant, (ref. 192)
and a rainwater-head at the back bears his initials.
In 1750 and 1766 it was occupied by Peter Cam
part and Company, (ref. 43) Campart being a weaver of
’striped and plain lutestring mantua and tabby’ (ref. 108)
who undertook in 1745 to raise a body of seventy
four of his workmen to resist the Young Pretender (ref. 39) and was a trustee under the Local Act of
1753. The house was empty in 1803, (ref. 43) when the
bay at the back was perhaps added and the first
floor communicating doors inserted. It is the
largest house in Fournier Street, and has been
considerably altered and extended at the back; it
is now divided (Plates 66b, 67b, figs. 45–7). It
follows that the present plan is confused, but the
original arrangement of the interior was probably
quite simple and straightforward. The hall,
centrally placed and containing a fine staircase
rising only to the first floor, is hardly changed. On
the west side are two rooms, probably the original
arrangement, although the back room has been
enlarged with a wide semi-circular bay. On the
east side is a front room and, at the back, a large
closet and the secondary staircase serving every
floor. This side of the house has been extended
over part of the original garden. The basement
contains the original kitchens, and there are three
storeys but no garret.
The handsome front is of brick, probably stocks
with red dressings, but the entire face has been
painted and mock-pointed. At each end is a giant
Doric pilaster, with a moulded stone base and a
cut brick capital, and between these pilasters are
ranged the five windows of the three storeys, the
doorway occupying the middle opening of the
ground storey. Modern double-hung sashes are
set within the shallow reveals of the window
openings, which have moulded stone sills and segmental arches of brick centred on triple keystones
with cornice-heads. The front is finished with a moulded brick bandcourse, unrelated to the
order, and a plain parapet. The doorcase (Plates
78c, 78d) is of wood, the eight-panelled door being
recessed in an arched opening with panelled reveals and a moulded architrave surround. This in turn is slightly recessed in a rusticated arch
flanked by panelled pilaster-strips with richly
carved double consoles supporting a flat hood, its
soffit panelled and the cornice enriched with dentils. The front areas are guarded by wrought iron
railings of good design. The back elevation,
although much altered, retains a good doorcase or
wood, with a moulded architrave frame flanked by
panelled pilaster-strips, and a corniced hood resting
on carved consoles with lion masks. Above the
doorway is the large arch-headed window lighting
the staircase, the sashes retaining the original stout-section glazing bars. Near the party wall
with No. 2 is a lead box-type rainwater-head (fig. 48), dated 1726 and initialled MSE.

Figure 45:
No. 4/6 Fournier Street, 1726, plans

Figure 46:
No. 4/6 Fournier Street, 1726, front elevation

Figure 47:
No. 4/6 Fournier Street, 1726, section
It is probable that all the rooms were lined with
deal panelling, the quality varying with the importance of the rooms, but most of this has gone.
Fortunately, little has changed the entrance and
staircase hall, which is wide and extends to the
back of the house (Plate 94b). The stone floor is
patterned with slate diamonds, and the walls are
lined with fielded panels in moulded framing,
with a moulded dado-rail and a box-cornice. The fine staircase has cut strings, the moulded nosing
and return face of each riser being continued under
its successor, thus producing a stepped soffit. The
turned and twisted balusters, three to each tread,
support a moulded handrail of mahogany that
starts with a very wide curtail and ramps up over
each fluted column-newel. Between the first
floor rooms, west of the staircase, are communicating doors hung in an elliptical-arched opening,
decorated with compo ornament in late eighteenth
containing ribbon-bow pendants, the capitals are
formed of acanthus leaves, and the archivolt has a
ring of acanthus and water leaves placed alternately.
The leases of Nos.8 and 10 (Plate 66b) were
granted to Samuel Worrall of Spitalfields, carpenter, being witnessed, like those of Nos. 20 and
22, by William Tayler, ’gentleman’ or -carpenter".
No. 10 was occupied in 1743 and 1773 by James
or Jacob Lardant, (ref. 43) who undertook in 1745 to
raise a body of twenty-seven of his workmen (ref. 39) and
who was a trustee under the Local Act of 1753. In 1763 his firm was described as silk, mantua and
tabby Weavers (ref. 108)
Nos. 8 and 10 are single-fronted houses,
planned on standard lines, each house containing a
basementm three storyes,and a mansard garret.
The fronts were doubtless identical but that of
No. 8 has suffered change. The brickwork has been painted and the sashes replaced by modern
casements, but the doorcase remains. The front
of No. 10 is fairly free from alteration. It is
faced with varied stocks, with red brick dressings
to the segmental-headed windows, three in each
upper storey and two in the ground storey with
the doorway on the extreme right. The wooden
doorcase is of a design used at several houses in the
street (Plate 79a, 79b), other examples surviving at
Nos. 8, 20, 31, 33 and 35. The doorway
opening is a tall rectangle, the deep reveals being
panelled to match the eight-panelled door. The
opening is flanked by fluted Doric pilasters
carrying an entablature that breaks back over the doorway, its architrave rising in quadrant ramps
to support a forward break in the dentilled cornice. The area railings are early nineteenth
century, of cast iron with tasselled spearheads.

Figure 48:
No. 4/6 Fournier Street, 1726, rainwater-head
with initials of Marmaduke Smith
The leases of Nos. 12–18 (Plates 65a, 68)
were granted to William Tayler of Spitalfields,
carpenter, being witnessed by Samuel Worrall.
The leases of Nos. 14 and 16, doubtless like the
other leases in the street east of Wilkes Street,
included an undertaking by the lessee to ’pave
before the same in Church Street with broad
paving stones or Common Square ragg stones
four foot wide or more and from thence to the
middle of the street where the Kennel is to runn
with common paving stones’. He was to ’enclose
a footway of four foot wide or more before the
front… with posts proper for the purpose’. The
lessee was prohibited from using the houses for the
trade of a brewer, malt distiller, coppersmith,
wholesale melting tallow chandler, tobacco-pipe
maker, burner, founder, slaughterhouse keeper,
or a dyer other than a silk or worsted dyer (ref. 183)
No. 12 was occupied in 1750 by ’George
Garrett, Esq.’, (ref. 43) a weaver who was a trustee for
the Spitalfields almshouses in 1744 (ref. 38) and under
the Local Act of 1753, and who undertook to
raise twenty workmen in 1745. (ref. 39) In 1759 and
1766 the house was occupied by the 'Rev. Mr.
Dubeloy’, probably the Benjamin du Boulay who
was a minister of the Threadneedle Street, and
probably of the Fournier Street, French Church
in 1752–65. (ref. 193) The house was empty in 1828
and may have been refronted shortly before this. (ref. 43)
It was occupied in 1866 by Thomas Brushfield, a
Justice of the Peace, a trustee of the London Dispensary (No. 27 Fournier Street) and a prominent
Vestryman, after whom Brushfield Street is
named. (ref. 194)
No. 14 was first occupied by its builder, William Tayler. (ref. 183) From about 1745 to about 1838
it was occupied together with No. 16. (ref. 94) The
occupants of No. 14 in 1743, ’Judith Signeratt
and Co’, and the occupant of Nos. 14–16 in 1750,
’Gideon Bourdillon’, undertook in 1745, as
’Judith Sequeret and Bourdillion’ to raise a body
of fourteen of their workmen. (ref. 39) In about 1824
openings communicating between the two houses
were closed.
In 1766 and 1773 the two houses were occupied by Daniel West or ’West and Wren’, satin
weavers. (ref. 87) West was one of George Whitfield's
trustees: his daughter Ann married Stephen Wil
son, a silk manufacturer who occupied the houses
in 1778 and until 1798 and here, in the former
year, was born Daniel Wilson (1778–1858), who
in 1832 became Bishop of Calcutta. (ref. 195)
In 1840 No. 14 was occupied as a school by
Fanny Huitson. (ref. 155) In 1881 the house was leased
to the Hon. T. H. W. Pelham, the Hon. A. F.
Kinnaird (later Lord Kinnaird) and George Han
bury, for use as a Home for Working Boys, under
the name of Howard House, by the organization
already occupying No. 30 Spital Square (Pelham
House) for the same purpose. It was occupied as
Howard House until 1926. (ref. 196)

Figure 49:
No. 12 Fournier Street, doorway
No. 12 is a single-fronted house, much altered
during the Regency period, but originally similar,
no doubt, to No. 10. The Regency front is faced
with varied stocks, red brick being used for the
gauged flat arches of the two windows in each
upper storey, for the slightly cambered arch of the
three-light window in the ground storey, and for
the semi-circular arch of the doorway (fig. 49).
This last has a concave quadrant reveal in stucco,
plain but for the fret impost, continued on the transom, and the delicate guilloche band surrounding the fanlight. The front railings are of
cast iron, probably early nineteenth century, with
curious thistle-head finials. The back basement
area is partly lined with old Delft pictorial tiles,
and until quite recently the garden contained an
old mulberry tree. Generally, the rooms are
lined with plain or ovolo-moulded panelling in
deal, and some have Regency chimney pieces of marble.
No. 14 (Plate 68, figs. 50–2) is in many ways the finest house in the street, although it is not so
large as Nos. 2, or 4/6, or 27. The shell and
basement internal walls are of brick, and the
divisions throughout the three storeys are of deal
wainscot. The spacious staircase occupies the
south-east quarter of the plan and is approached
through a wide hall, flanked on the east by a smallfront room, and on the wesr by two rooms, a
shallow front and a deep back, now united. On
the first floor is a handsome front room, the full
width of the house, and a back room with a corner fireplace. There are three rooms on the
second floor, two front and one back, and the
mansard roof contains one large garret room, but
this is probably a reconstruction.

Figure 50:
No. 14 Fournier Street, 1726, plans
The three-storeyed front is a fine example of
early Georgian design and craftsmanship. The
entrance doorway is flanked by one window on
the east and two on the west, and there are four
evenly spaced windows in each upper storey. The
general facing is of varied stocks, with fine red
bricks for the corniced bandcourses at first- and
second-floor levels; and for the aprons, jambs and
segmental arches, with triple keyblocks, of the
window openings. The windows have exposed
flush frames and double-hung sashes, segmental
headed like the arches, and all are furnished with
glazing bars, generally replacements of late
eighteenth-century pattern. The elaborate and
beautiful doorcase is of wood (Plate 82). An
eight-panelled door, probably cut down to admit
the fanlight of later date, is recessed in a segmental
headed opening with reveals panelled to match the
door. The outer angle forms a marginal frame of
V-jointed blocks resembling masonry, and the
opening is flanked by wide plain jambs. Engaged
to each jamb is an Ionic three-quarter column,
standing on a pedestal and having a fluted shaft.
Each column carries an entablature-block which
is bisected vertically by a richly carved truss, rising
from the abacus flower and supporting a forward
break in the cornice corona. This break provides
the springing for a rising and forward-curving
cornice, forming, in effect, an open segmental
pediment-hood. The entablature architrave is
returned and carried over the segmental-headed
door opening, breaking on a carved keyblock.
Dentils and modillions enrich the cornice, and the
hood soffit is coffered. A domed covering of lead
forms the unusual finish to this remarkable doorcase. The front finishes with a plain stone-coped
parapet, perhaps replacing a cornice-band and
parapet with apron panels matching those below,
and the vertical front face of the mansard roof is
weather-boarded, with three sash windows similar
to those below, but smaller in scale.
The back elevation (fig. 53) is a simple design,
made up of an orderly pattern of segmental
headed windows and blind recesses of the same
form, and, on the right, the large round-arched
window of the staircase. The garden door has a
wooden doorcase, the straight-headed opening
being flanked by panelled pilaster-strips with Doric
capitals and carved trusses that support the flat
projecting hood.
The interior is remarkable for the quality of its
decorative woodwork. The wainscot partitions
forming the hall consist of plain panels in two
heights, set in ovolo-moulded framing, with a
moulded chair-rail and a plain box-cornice. Doors
with six fielded panels open to the rooms on each
side, which are now of no interest, and fluted
pilasters with elaborated Ionic capitals mark the
junction with the staircase compartment. The
stairs rise in easy stages round an oblong well,
the first stage beginning with an opulent flourish
(Plate 94c). The first step is returned back
in a wide curve and the second step echoes the
bold curtail of the handrail. The cut strings
of the lower flights are faced with a raking architrave and tread-brackets finely carved with flowers
and foliage scrolls. These, with the turned and
twisted balusters, and the fluted Ionic column
newels, appear to be of oak (fig. 54). The
balusters are spaced three to a tread, and the
moulded handrail of mahogany ramps up to continue over each newel-column. The dado with
fielded panels matches the balustrade. The
ground- to first-floor flights are lit by the tall
arch-headed window, which retains its original
stout-barred sashes and has a panelled shutter that
folds back into a recess in the side wall. The face
of this wall is plastered but finishes with a wooden
box-cornice enriched with dentils and carving.
The first-floor front room is the largest and
finest in the house, with four windows overlooking
the street. The raised-and-fielded panelling is set
in cyma-moulded framing, with a moulded chair
rail and an enriched and dentilled box-cornice.
There are two doors, with eight raised-and-fielded
panels, framed in Classical architraves, but the
chimneypiece is unfortunately missing. The back
room has plain panels set in ovolo-moulded framing, and the angle fireplace has a chimneypiece of
marble, typical of the early eighteenth century,
with flat panelled jambs and head, the latter concealed by a later frieze and shelf of wood with
composition ornaments. The staircase ascends
round a smaller well to the second floor, where the
rooms are lined with plain panelling set in ovolo
moulded framing. The large front room and the
back room have original stone chimneypieces of
simple design, with panelled jambs and lintel
(fig. 55). The hobs of the grates are most unusual,
being also of stone, and the faceted cheeks above are lined with Delft pictorial tiles. The top flight
of stairs has moulded closed strings, turned
twisted balusters, and straight handrails that are
housed into the column-turned newels. The
garret storey is now one large room, the bressumer
below the roof valley being supported by two
posts, one of them turned to resemble an attenuated Doric column.

Figure 51:
No. 14 Fournier Street, 1726, front elevation

Figure 52:
No. 14 Fournier Street, 1726, section

Figure 53:
Fournier Street, backs of houses on south side
Nos. 16 and 18 (Plate 65a, fig. 56) are paired
single-fronted houses with a basement, three
storeys, and a roof garret. The fronts were
uniform but that of No. 18 has been altered. Each
house has three windows in each upper storey and
two, with the paired doorways, in the ground
storey. The front is faced with varied bricks, red
brick being used for the jambs and segmental
arches of the windows, which have stone sills.
The moulded flush frames and upper sashes have
segmental heads conforming with the brick
arches, and the glazing bars are of slender section.
No. [ 8 now has its windows framed with straightheaded architraves of stucco, but the original
segmental brick arches can be detected through
the mock-pointed face above each window. The
paired doorways (Plate 78a, 78b) share a fine wooden
doorcase with each door recessed in a tall rectangular
opening, the reveals and soffit being
panelled to match with the door. This has six
raised-and-fielded panels but it is probable that two
top panels have been cut away to allow for the
insertion of a fanlight. Three fluted Doric
pilasters, between and flanking the openings, are
surmounted by carved trusses supporting the
cornice-hood, the bed mouldings of which arc also
carved. The face over each door opening, and the
hood soffit, are decorated with raised-and-fielded
panels.
A straight joint marks the junction with the
front of No. 20.
The leases of Nos. 20 and 22 were granted to
Edward Grange of Spitalfields, carpenter, being
witnessed by William Tayler, ’gentleman’ or ’carpenter’
No. 20 was probably occupied in 1766
by Louis de la Chaumette, a minister of the
Threadneedle Street and probably of the Fournier
Street French Church. (ref. 197) The single three storeyed
front of No. 20 (Plate 65a) is practically
identical with that of No. 10, except that here the window sashes are without glazing bars. No. 22
is a modern building of no interest.

Figure 54:
No. 14 Fournier Street, 1726, detail of staircase balustrade
Nos. 24–28 (even) Fournier Street and
No. 57 Brick Lane
Formerly Nos. 11–13 (consec.) Church Street and
No. 186 Brick Lane
Nos. 24–28 demolished
These houses were built under ninety-six-year
building leases granted by Wood and Michell in
May 1728 to Samuel Worrall, who was then said
to have ’begun to build’ the houses. (ref. 198) No. 57
Brick Lane has its front in Fournier Street, having
been paired with No. 28, now demolished. The
ground storey contains an early ninteenth-cen
tury shop-front of poor design, incorporating the house door which is flanked by crude Doric
columns with attenuated plain shafts. Above is a
two-storeyed face of varied stocks, with a raised
brick bandcourse just above the first-floor window
sills, and a narrow stone coping. Each storey has
two windows and a shallow recess of similar
form marking the party wall with No. 28. All
have stone sills and red brick jambs and segmental
arches, the windows being furnished with modern
casements in flush frames. The steeply fronted
mansard roof is slated.
Captain Lecuse's Ground
The depth north-to-south of the plots leased on
the south side of Fournier Street varied from sixty
to seventy feet. To the south, between the back
gardens and the churchyard, was the long narrow
strip of ground belonging to John Lekeux of the
Old Artillery Ground, described as ’Captain
Lecuse's ground’ on the ’New Church’ plans, In
May 1711 Lekeux granted a lease of this ground
to William Seager of Spitalfields, carpenter.
Seager built the Seven Stars public house on the eastern end of the plot, fronting Brick Lane.
Behind it lay ’two half tenters’ measuring 278 feet
east to west and 34 feet north to south. (ref. 199) In
December 1728 this lease was assigned, reserving
out of it a subsequent lease of the Seven Stars
itself, to Simon Michell: the length of the plot
was, however, described as only 244 feet, being
bounded on the west by the ’garden wall of the
parson's house’ which at that time stretched
further south than those of the Wood-Michell
houses. (ref. 200) In March 1728/9 Michell leased to
William Tayler part of this ground, 52 feet
6 inches wide, the part lying behind No. 14 to be
added to the garden of that house. (ref. 201) The ground
attached to Nos. 4–16 (even) appears to have been
similarly lengthened southward for the erection of
’stables, coachhouses and other buildings’. (ref. 202)

Figure 55:
No. 14 Fournier Street, 1726, Chimneypiece in
Second-Floor front room

Figure 56:
Nos. 16 and 18 Fournier Street, 1726,
ground-floor plan
No. 84 Commercial Street (the Ten
Bells Public House) and Nos. 1 and 3
Fournier Street
Formerly Nos. 33, 32 and 31 Church Street
In general, the houses on the north side of
Fournier Street (Plates 65b, 69a, 69b) are inferior to
those on the south side, and several are without
interest by reason of mutilation or rebuilding, the
last due, perhaps, to the faulty construction and
poor materials used in the original work.
The site of No. 84 Commercial Street and
Nos. 1 and 3 Fournier Street was outside the
Wood-Michell estate and is included here for
convenience. Like the rest of the north side of the
street, the site corresponds approximately to the
’Tenter Ground Range’ shown on Ogilby and
Morgan's and Gascoine's maps about midway
between Brown's Lane (Hanbury Street) and
Fossan (Fashion) Street.
The eastern part of the site was occupied in
1721 by the dwelling-house inhabited in the late
seventeenth century by Alderman Samuel Reeves
who had been one of the first churchwardens for
Spitalfields hamlet in 1662: (ref. 203) this was probably
the house with twelve hearths occupied by him in
’ye Tenters’ in 1674–5. (ref. 204)
In 1750 the three houses occupying these sites
were evidently quite small, being rated at £4 and
£6 compared with the £28 and £30 at which the
rebuilt houses were rated in 1759. (ref. 43)
The site of No. 84 Commercial Street was
probably owned in 1754 by Peter Lekeux of
Spitalfields and James Gunter of St. Olave's,
Southwark, both described as gentlemen, who in
January of that year leased it, together with
adjoining property, probably on the site of Nos. 1
and 3, for seventy years to Richard Chantry of the
Old Artillery Ground, weaver, and Philip Cooper
of Spitalfields, apothecary. In June 1755 Lekeux,
Gunter, Chantry and Cooper's widow gave leases
of the site to John Sabatier of Spitalfields,
weaver. (ref. 205) The witnesses of this lease included
Joseph Drew of Spitalfields, carpenter, who himself received a lease of property in Red Lion
Street from Lekeux, (ref. 206) and who had recently
built the adjoining Nos. 1 and 3 Fournier Street.
In December Drew petitioned the Vestry of
Spitalfields parish, which owned the roadway
before these houses, informing them of his intention to build on the site of the present No. 84
Commercial Street, and asking for a lease of a
foot-passage 6 feet 6 inches wide in front of the
houses. The Vestry granted his request, thinking
it ’of great Benefit to this Parish’. Drew was
required to keep in repair the pavement and the
posts which, as elsewhere in the street, divided
it from the roadway. (ref. 207) By March 1758 ’a new
erected messuage… and warehouses thereunto
adjoining’ was said to have been ’lately erected
and built’ by Sabatier, who in that month assigned
his leases to David Delavau of Spitalfields,
weaver. (ref. 208) A John Sabatier continued to occupy the premises, however, until at least 1783. (ref. 43) A
John Sabatier had occupied No. 16 Princelet
Street in 1736 and 1750, being succeeded there by
Delavau, who occupied it until at least 1773. He
was probably the John Sabatier who in 1766 was a
witness to a Report to the House of Commons on
the Spitalfields weaving industry. He had begun to
trade for himself in 1750, then employing fifty
looms, a number later increased to a hundred. (ref. 209)
He was a trustee or commissioner under the Local
Acts of 1753, 1772 and 1782, and is probably
identifiable with the Jean Sabatier who in 1762
was an elder of the Threadneedle Street French
Church. (ref. 210)
The site of Nos. 1 and 3 was probably owned
in 1754 by Peter Lekeux. They were built,
like the adjoining house westward, by Joseph
Drew, probably in 1755, being described by Drew
in December 1755 as newly built by him (ref. 207)
(Plate 69b). Peter Lekeux, who also owned
houses in Red Lion Street, adjoining the west side
of the site of these three houses, was probably the
Peter Lekeux for whom many of the silk designs
in the Victoria and Albert Museum were made (ref. 211)
and who undertook in 1745 to raise a body of
eighteen of his workmen to resist the Young
Pretender. (ref. 39) In 1759 and 1766 he occupied
No. 3, being succeeded there probably by his
widow. (ref. 43)
The first occupant of No. 1 was Gédéon
Patron, a minister and secretary of the Thread
needle Street French Church, who later occupied
No. 33. (ref. 212) In 1803 and 1841 it was occupied by
Hugh Parnell, a solicitor and for a time Vestry
Clerk to the parish. (ref. 213)
No. 1 has a narrower frontage than No. 3, but
the houses form a pair with mirrored plans,
sharing chimney-stacks and a uniform front.
The scale of these houses is greater than that prevailing in the earlier buildings, and there is a
corresponding simplicity in the design of the front.
This is of four storeys and each house has three
windows per storey except, of course, for the much
altered ground floor. The facing is of yellow
brick, and the windows have gauged flat arches,
stone sills, and plastered reveals. Above the
window-arches of the third storey run a brick
frieze band and a simple stone cornice. Modern
shop-fronts have all but obliterated the original
ground-storey treatment which finished, apparently, with a plain bandcourse. The interiors
were well finished, the rooms generally being
lined with deal panelling. The staircase of No. 3
has shaped brackets, turned balusters with vase
shaped bases, slender column-newels, and moulded
ramped handrails. Some surviving panelling on
the ground floor is finished with a dentilled cornice. The first-floor rooms are lined with plain
panelling in two heights, set in moulded framing
with moulded chair-rails and enriched modillioned
cornices. The back room has a simple chimney
piece of wood, with a cornice-shelf, shaped frieze,
and a moulded architrave framing a fine hob
grate with Delft tiles lining the opening above.
Nos. 5–11 (odd) Fournier Street
Formerly Nos. 30–27 (consec.) Church Street
See Nos. 1–7 (odd) Wilkes Street and Plate 69b.
No. 5 was refronted early in this century, and
Nos. 7 and 9 were refronted perhaps between
1803 and 1818. (ref. 43)
No. 7 was occupied in 1773 by Alexander
Christie, a commissioner under the Local Act
of 1772 and perhaps the carpenter who took a
building lease of Nos. 37–41 Hanbury Street.
Nos. 5, 7 and 9 are single-fronted houses, two
rooms deep, and No. 11 is double-fronted and one
room deep, as is No. 1 Wilkes Street, which has a
return front to Fournier Street. All contain
cellar basements, three storeys, and roof garrets.
The buildings have all been refronted and the
interiors are much altered, so that little of interest
remains. No. 9, however, has a closed string dogleg staircase with turned twisted balusters. It is
worth noting that in 1909 No. 5 had a mid
nineteenth-century Classical front of stucco,
probably a refacing of the original brickwork with
three windows in each upper storey. The rebuilt
fronts of the single houses now have two windows
in each upper storey, and the double-fronted
house has four.
Nos. 13–25 (odd) Fournier Street
Formerly Nos. 26–22 (consec.) Church Street
Several houses on the north side of Fournier
Street to the east of Wilkes Street are peculiar in
that their party walls, although more or less
parallel with Wilkes Street, are not set out at
right angles with the front and back walls, perhaps
because they were constructed on the foundations
of the old ’Tenter Ground Range’, which may
not have been precisely on the line of the intended new street. All the houses have cellar-basements,
three storeys, and mansard garrets, generally with
weather-boarded fronts containing wide weavers’
windows.
Nos. 13–25 (odd) were all built under leases
granted by Wood and Michell on 30 March 1725.
Those of Nos. 13–21 were granted to William
Tayler, joiner, and were witnessed by Marmaduke
Smith of Princes (Princelet) Street, carpenter;
and those of Nos. 23 and 25 were granted to
Henry Conyers, citizen and bricklayer of London,
and were witnessed by William Goswell of Norton Folgate, carpenter. All the houses were
described as newly built by the lessees (ref. 214) (Plate
65b). The leases of Nos. 23 and 25 to Conyers
were evidently assigned as a mortgage to a William
Taylor who in 1747, as of Remenham, Berkshire,
esquire, assigned them to Simon Michell. (ref. 215) It is
not known whether William Taylor was related
to the builder, whose name was sometimes so spelt.
No. 13/15 is occupied as a Jewish medical
clinic, having been formerly occupied by the
Society for the Propagation of the Gospel among
the Jews.
Nos. 23 and 25 were occupied in 1743 and
1773 by Reuben and John Foxwell, worsted-stuff
weavers who in 1745 undertook to raise twenty
eight of their workmen against the Young Pretender. (ref. 94)
No. 23 was occupied in 1818 and until 1866 by
Elias and Zive Wolff, pencil makers, founders of
the firm now represented by E. Wolff and Co.,
makers of the ’Royal Sovereign’ pencil.
No. 13/15 has a five-windows-wide front to
Wilkes Street and a return to Fournier Street, two
windows wide. The ground storey has a facing of
stucco, coursed with V-joints and finished with a
simple Doric cornice. The upper part is of varied
brick, with red brick jambs and segmental arches
to the window openings, which have plastered
reveals. The exposed frames have straight heads
and the sashes are furnished with slender glazing
bars. The window-sills and parapet coping are of
stone.
Nos. 17–25 (odd) are single-fronted houses,
two rooms deep, and all have three-windows-wide
fronts, originally uniform and of simple but elegant
design, with a face of varied bricks containing
three ranges of segmental-headed window openings dressed with red brick, the sash windows
having moulded flush frames with curved heads
conforming to the window arches. All the fronts
have undergone change of some sort; No. 17 has
been painted, Nos. 19 and 21 refaced, and at No.
23 the window frames have been recessed. The
only original doorcase is the dilapidated example
at No. 17, a single and less elaborate version of the
paired doorways at Nos. 16 and 18 opposite.
No. 27 Fournier Street, sometime the
London Dispensary
Formerly No. 21 Church Street
This house was built by Peter Bourdon of
Spitalfields, weaver, whose initials are on a
rainwater-head on the front of the building, under
a ninety-eight-year lease granted, like those of
Nos. 29–37, by Wood and Michell on 14 December 1725. The house was then said to have been
lately built by Bourdon. The lease was witnessed
by William Taylor of Spitalfields, carpenter. (ref. 216)
Bourdon, who occupied the house in 1743 and
1750, (ref. 43) was probably the Peter Bourdon elected
headborough at a town meeting of the hamlet of
Spitalfields in 1712. (ref. 217) In 1744 he was included
in a list of Eminent Merchants and Traders in
London, (ref. 107) and in 1745 undertook to raise a body
of twenty-six of his workmen to resist the Young
Pretender. (ref. 39)
In 1759 the house was occupied by Obadiah
Agace, a weaver of silk mixed with worsted who,
as Obadiah Agace and Sons, had undertaken in
1745 to raise forty-one men. (ref. 218)
The house, larger and finer than those to the
west of it, has a wide three-storeyed front with
five windows closely spaced in each upper storey,
and, in the ground storey, a central doorway
flanked on the right by two windows and on the
left by one window and a passage opening to the
back premises. The front generally conforms with
those adjacent and is faced with varied brick,
recently painted and mock-pointed, the windows
having red brick jambs and segmental arches with
triple keystones. The straight-headed window
frames and sashes are obviously not the original
ones. There are three three-light casements in
the weather-boarded front of the garret storey.
The entrance door, probably a mid-nineteenth
century replacement, is surmounted by a radial
fanlight and framed by an architrave flanked by
fluted Doric pilasters of semi-elliptical profile.
These are probably later than the finely carved
trusses that support the corniced hood. Against
the party wall with No. 29 is a lead rainwater- pipe with a box head, dated 1725 and initialled
PBM.
Although the house was well finished inside,
the floors were planned without much regard for
the shape and proportion of the rooms (fig. 57),
and even the staircase lacks regularity of form. It is, however, a good example of its period, having
cut strings adorned with raking architraves and
brackets carved with flowers and foliage scrolls.
The turned twisted balusters, three to each tread,
support the moulded handrail which is ramped up
over the column-newels. The staircase walls, and
the rooms on the ground, first and second floors,
are lined with plain panelling, generally in ovolo-
moulded framing, with moulded chair-rails and
box-cornices, but most of the wainscot partitions
have been removed. Some good chimneypieces
remain, one in the west front room having marble
slips framed by an eared architrave of ovolo
section carved with acanthus ornament, and a
modillioned cornice-shelf. An interesting two
storeyed building of uncertain date, timber
framed and weather-boarded, stood in the yard
until 1955, when it was demolished. This may
have originally served for a factory or warehouse.

Figure 57:
No. 27 Fournier Street, 1725, plans
From 1829 until the passing of the National
Health Act of 1946 the building was occupied as
the London Dispensary, for the provision of free
medical attention and medicines. This institution
had been founded in 1777 in Primrose Street,
Bishopsgate Without. (ref. 219) By 1809 it had moved
to No. 10 (now No. 41) Artillery Lane. It is
said to have moved to Fournier Street in 1829, (ref. 220)
but appears to have vacated the Artillery Lane
premises by 1828. It occupied No. 27 Fournier
Street in 1831 (ref. 43) Its tenure was then leasehold
but in November 1866 the freehold was acquired
from C. C. Ferard of Winkfield, Berkshire,
esquire, at a cost of £1,600. The trustees at that
date were Thomas Brush field, J.P., then living at
No. 12 Fournier Street, R. C. Hanbury, M.P., of
the brewery in Brick Lane, and the rector, John
Patteson. (ref. 221)
In November 1809, after the move to Artillery
Lane, two sermons were preached in Christ
Church, Spitalfields, for the benefit of the dispensary; its patron was then the Duke of York and
its president the Duke of Sussex. The announcement of the sermons recorded that since June 1777
nearly 99,000 patients had been admitted and that
253 were then under cure. By about 1835 the
annual subscriptions totalled £316. (ref. 219) In February of that year the Old Artillery Ground trustees
resolved that their overseers of the poor should
become ’a subscriber’ on behalf and for the benefit
of the poor of that liberty. (ref. 222) Access to the services of the dispensary was then, as with other
charitable institutions, procured through recommendation by a governor. A framed order of the
committee, dated March 1835, formerly hanging
in the building at the back, required that ’all new
letters of Recommendation must be taken to the
Apothecary, before the patient can see the
Physician or Surgeon’. A further regulation
required that ’patients when cured must apply to
the Apothecary for Letters of Thanks, which are the same day to be delivered to the Governors who
recommended them. On neglect such Persons
will not be admitted to any future benefit of the
Charity’

Figure 58:
Fournier Street, backs of houses on north side, showing Samuel Worrall's dwelling-house on extreme right
By 1866–7 the annual subscriptions had fallen
to £175. The number of patients admitted during
1866 was 2,025 and the number under treatment
at the beginning of that year was 501. The dispensary then served the greater part of Spitalfields,
Mile End New Town, Whitechapel, Shoreditch,
Norton Folgate and Bethnal Green. (ref. 223)
The use of the building as the London Dispensary was discontinued in consequence of the
National Health Act of 1946.
Until 1955 the building bore across its front a
large stucco tablet with the legend ’London Dispensary’ in relief.
Nos. 29–37 (odd) Fournier Street
Formerly Nos. 20–16 (consec.) Church Street
These were all built under ninety-eight-year
leases granted by Wood and Michell to Samuel Worrall on the same day as the lease of No. 27,
14 December 1725, the houses being then lately
erected (Plate 69a). The lease of No. 31 was
witnessed by Marmaduke Smith, carpenter, and
William Taylor, carpenter. (ref. 224)
Between Nos. 33 and 35 is a passageway which
formerly led to Worrall's yard and dwelling
house (ref. 225) (fig. 58)
No. 29 was occupied from 1840 to 1857 by the
Spitalfields Benevolent Society (ref. 171) which had been
founded in 1811 by the congregation of Sir
George Wheler's Chapel for the relief of the poor
of Spitalfields. (ref. 226)
No. 33 was occupied in 1759 by the ’Rev. Mr.
Covenant’ (ref. 43) probably the Paul Covenant who
was a minister of the Threadneedle Street, and
probably of the Fournier Street, French Church;
and in 1766 by Gédćon Patron, another French
minister (ref. 227) (see No. 1 Fournier Street).From
about ] 879 into the present century, it was used
as a hall in connnexion with Christ Church (ref. 228)
No. 37 was occupied in 1766 and 1783 by the
’Rev. Mr. Bourdillion’, (ref. 43) probably the Jacob Bourdillon who was minister of the French
Churches of Petticoat Lane and the Artillery
from 1731 to 1786. (ref. 229)
These five houses were built as a range, sharing
a front originally uniform in style with that of
No. 27. All are single-fronted houses, three
windows wide, except No. 35 which has five
windows in each upper storey, as the front rooms
of No. 35 and the back rooms of No. 33 extend
over the wide entry to the yard originally occupied
by the Worralls. The front of No. 29 has been
painted and the ground storey of No. 33 is faced
with stucco up to the level of the first-floor window-sills. No. 37 has a refaced front of yellow
stocks, omitting the triple keystones common to
all the windows of the other houses. The windows of Nos. 31 and 35 alone retain the original
exposed flush frames. Wooden doorcases of a
standard design survive at Nos. 31, 33 and 35, the
last two flanking the yard entry and having a linking entablature now concealed by a sign. The
Doric pilasters have plain shafts, otherwise these
doorcases are identical with those at Nos. 10 and
20 on the south side.
No. 39 Fournier Street; Spitalfields
Great Synagogue, Fournier Street;
the London Talmud Torah Classes for
Jewish Children (No. 59 Brick Lane)
Formerly No. 15 Church Street; French Church, Mission Church and Methodist Chapel, Church Street; French
School and Sunday School (No. 198a Brick Lane)
The site east of No. 37 was not developed by
Wood and Michell. Before February 1714/15
they had sold it to Ann Fowle of Islington, widow.
The plot had frontages of 115 feet abutting south
on the tenter ground and 100 feet abutting east on
Brick Lane. (ref. 7) In 1681–2 the site was not built
on. In 1703 buildings are shown, some lying
back from the tenter ground frontage. (ref. 230) In
1714/15 the site contained nine messuages or
cottages, occupied by six weavers, a watchmaker,
a clockmaker and a gardener. By 1739 the
Church (Fournier) Street frontage consisted of
four cottages standing back from the street behind
’garden ground’, an inhabited building on the
street, and ’old stables’ on the corner of Brick
Lane. In June of that year the site was sold by
Ann Fowle's granddaughter and her husband for
£900 to Timothy Colston, Henry Guynand,
John Seal and James Rondeau, all described as
merchants of London, and James Fruchard, merchant of Spitalfields. (ref. 7) The purchasers were presumably acting on behalf of the French Church in
Threadneedle Street, whose ministers, elders and
deacons petitioned the King in 1742 for licence to
erect a church and school on the site. This was
to take the place of the Church of l'Hôpital erected
in 1687 on the southern corner of Grey Eagle
and Black Eagle Streets, as a chapel of ease to the
Threadneedle Street Church, and of the school
established there in about 1718, for the education
of children of members of the congregation. The
lease of this site was said in 1742 to be about
to expire and it was found difficult to renew it,
perhaps because the landlord was contemplating
the development of his property there (see page
113). The £900 purchase money for the
new site was apparently provided by David and
Claude Bosanquet, members of the Threadneedle
Street congregation. In July 1742 letters patent
were issued authorizing the erection of the new
church and school on the Church Street and Brick
Lane site. (ref. 231)
On 12 April 1743 articles of agreement were
entered into by Charles Dunn of St. George's,
Southwark, mason, Edward Cole, junior, of St.
Martin's, London, bricklayer, and John Jull of
St. Thomas's, Southwark, carpenter, on the one
hand, and the Rev. Paul de la Douespe of Crispin
Street, Spitalfields, minister of the French Church
in Threadneedle Street, and the elders and deacons
of that church, on the other hand. The agreement
stated that the houses purchased by the Threadneedle Street Church had been demolished in
order to build a church and school-house. The
parties had already ’agreed for the building of the
said church’, and now agreed for the building of a
school-house, apparently consisting of two rooms
for boys and girls, and a vestry-room, in accordance
with the specification in two books signed by and
exchanged between the parties on the day of the
agreement. The building was to be of the best
material, as approved by Thomas Stibbs, surveyor
to the minister, elders and deacons of the Threadneedle Street Church. For this the builders were
paid £590. (ref. 7) ’This building was erected on the
northern part of the Brick Lane frontage, and is
now the London Talmud Torah Classes for
Jewish Children (No. 59 Brick Lane, Plate 46a).
Charles Dunn was perhaps related to the Southwark mason who built Christ Church, Spitalfields,
and was doubtless the Charles Dunn who was one of the two craftsmen named, together with the
architect, on the foundation stone of St. Leonard's,
Shoreditch, built 1736–40 (ref. 232)
By 9 August the building of the church (Plates
40, 41, 98a) was well advanced. On that day,
there being 'now occasion for erecting a pulpitt
and altarpiece in the said Church and likewise for
pewing and wainscotting thereof, an agreement
was made between the minister, elders and
deacons, and Thomas Ellis of St. Botolph Aid
gate, joiner, for this work on the interior and
galleries of the church to be executed.
Ellis at the same time agreed to build, before
June 1744, on waste ground adjoining the church,
a house, now No. 39 Fournier Street (Plates
69a, 80d), ’with a wine vault, coal cellar and
scullery’. Although the house was evidently
intended for the minister's residence, the building
was to include a ’warehouse’. The same condi
ditions were made respecting the specifications for
building and supervision by the church's surveyor
as in the agreement of April. For this work on
church and house Ellis was paid £850. (ref. 7) He was
described as of Brick Lane in 1748 when he rebuilt the house in Crispin Street formerly occupied by Mr. de la Douespe.
Both the church and school occur in the 1743
rate books, but the house does not yet appear. (fn. b) It
was occupied until at least 1773 by the Rev. Paul
de la Douespe, the first minister, and by his
widow. (ref. 43) In 1818, when the church was a
’Jews’ Chapel’, the house was again occupied by a
minister of the Threadneedle Street Church, the
Rev. L. A. Anspach (ref. 233) In 1828 and 1831 it was
occupied by Butler Adams, a pattern-drawer, who
had previously occupied No. 15 Wilkes Street, (ref. 234)
and in the mid-nineteenth century was occupied
by the Spitalfields Vestry Clerk. (ref. 43) The house was
bought by the synagogue trustees in 1922 but disposed of by them in the following year. (ref. 235)
No. 39 Fournier Street shows, like Nos. 1 and
3, an increase in scale and simplicity compared
with the earlier houses in the street. The front is
of varied stocks with red brick segmental arches
to the window openings, three to each upper
storey, which have stone sills and plastered reveals.
The fine doorcase (Plate 80d), centred below the
right-hand windows, is of wood. The door, with
six fielded panels, is recessed in an arch-headed
opening, its face and reveals coursed with V-joints
imitating masonry. There is an enriched moulded
keyblock, and the moulded imposts continue as a
transom below the radial fanlight of iron with
lead enrichments. A straight-headed Classical
architrave frames the opening and is flanked by
narrow jambs with consoles that support a trian
gular-pedimented entablature. The consoles are
carved with scale ornament and acanthus leaves,
and the pediment cornice is dentilled.
In January 1743/4 the church was still described as ’now building’ but was sufficiently
advanced for the vaults under it to be leased to
Benjamin Truman, the brewer: the ’double wine
vault’ under No. 39 was then in the possession of
John Campion, a vintner. The cellars continued
to be occupied by brewers and wine merchants to
the end of the nineteenth century: in 1786 the
cellars under the house were held by a maker of
raisin wine. (ref. 7)
During the eighteenth century the church was
known as the New French Church or Neuve
Eglise: its ministers were those of the Thread
needle Street Church. In 1768 Fruchard and
Rondeau, the survivors of the 1739 purchasers,
conveyed the whole property to trustees for the
Threadneedle Street Church, and in 1808 the
survivor of the trustees conveyed it to the minister,
elders and deacons of that church. (ref. 7)
The children attending the school were both
taught and clothed. By 1773 the school was no
longer limited to children of members of the
congregation. The day-school was terminated in
1803. (ref. 236)
In 1809 the use of the property by the French
congregation came to an end when the church and
the house ’formerly used as a vestry room, but
then used as a Sunday school’ (now No. 59 Brick
Lane), were leased by the Threadneedle Street
Church to trustees for the London Society for
Promoting Christianity among the Jews. (ref. 7) In 1815
it was said that 'lectures and sermons adapted to
this purpose are delivered by the Rev. J. C. Frey, a
Jewish Convert, and other Ministers, to large
congregations. The Society have a house attached
to the chapel, in which a number of Jewish Children are boarded, clothed and educated in the
principles of Christianity.’ (ref. 237) The Society's
tenure of the building, then called ’the Jews' Chapel’, lasted until August 1819, when it
assigned the lease of the church ’now called
Spitalfields Chapel’ to the Rev. Charles Atmore
of the City Road, on behalf of the congregation of
Methodists then at the chapel in Black Eagle
Street (ref. 7) (see page 113). In June 1820 Atmore
made a declaration of trust for the Society of
Methodists in respect of the building. (ref. 238)
The Methodists’ tenure of the chapel lasted
until 1897. The appearance of the interior in
1869, after it had been ’restored to Beauty and
Comfort at a Cost of £1,300’ to celebrate its
jubilee as a Methodist chapel, is shown in Plate
40b. In 1873 it had sittings for 1,100 worshippers: No. 59 Brick Lane was then occupied as
a Sunday-school. (ref. 168) In May 1897 the Methodists surrendered their lease to the trustees of the
French Church. (ref. 7)
No. 59 Brick Lane had already been occupied
since 1895 by the London Hebrew Talmud
Torah Classes, which had been established mainly
by members of the Machzike Hadath Society
founded in 1891 to promote the stricter observance of religious orthodoxy. (ref. 239) By June 1895
ten teachers were giving instruction in Yiddish to
nearly 500 children.
In 1896 the chapel was announced ’to be let
for the worship of God’. In March 1897 the
Executive Committee of the Talmud Torah
Classes agreed with the trustees of the French
Church to take a lease of the chapel, which they
did in February 1898: the lessees were said to
have put a new roof on it. (ref. 7) This was to provide
twelve additional class-rooms above the synagogue,
which was sub-leased by the Talmud Torah
Classes to the Machzike Hadath Community.
This community, consisting largely of immigrants
from eastern Europe recently settled in east and
north-east London, advocated what it considered
to be a stricter standard of orthodox religious
observance than that maintained in the older
established Jewish community, and by this time
’had developed into an independent Kehilla in
opposition to the official community’. The
society taking possession of the Fournier Street
Chapel included the ’Machzike Shomrei Shabbat’
Synagogue previously situated in Booth (now
part of Princelet) Street. (ref. 240)
The reconstruction of the interior of the chapel
for use as a synagogue was carried out at a cost of
£4,500 by Messrs. Maple and Co., who had also
reconstructed the school. The reconstructed
building was consecrated as a synagogue on
11 September 1898. In 1910 the synagogue was
redecorated and reconsecrated. (ref. 241)
In December 1922 the freehold of the synagogue and No. 59 Brick Lane, together with
No. 39 Fournier Street, was purchased from the
trustees of the French Church. (ref. 7) In March 1930
the synagogue was damaged by fire. (ref. 242) It was
redecorated after the 1939–45 war and was reopened and reconsecrated in June 1951. (ref. 243)
The organ formerly in the church is said to
have been presented to the French Church by
George III. (ref. 241) When the church became a
synagogue the organ was transferred to the Shore
ditch Wesleyan Mission Church in Hackney
Road, and in 1956 was installed in the parish
church of St. Peter, St. Helier. (ref. 244)
The plan of the Neuve Eglise (Plates 40, 41,
98a, fig. 59) was that of a typical eighteenth
century meeting-house, being a rectangle measuring inside eighty feet from east to west, and
fifty-four feet from north to south, with a deep
gallery on the south, east and west sides reached by
open staircases inside the south-east and southwest angles. A reredos, placed centrally against
the north wall, provided an imposing setting for
the pulpit, raised above the communion table
enclosure. To adapt the building for its present
use, the middle section of the east-side gallery was
removed to make way for the Torah shrine
against the east wall, and the pews were regrouped round the centrally placed Bemah.
Below the building is an extensive basement with
tunnel-vaulted cellars, always intended for letting
as storage space.
The exterior is bold in scale and quietly dignified in expression, the two fronts of different
composition combining well by having some
elements in common. The wide front to Fournier Street has a slightly projecting central feature,
with two segmental-headed windows between
two doorways in the ground storey, and four tall
arch-headed windows evenly spaced in the upper
storey, which is surmounted by a large triangular
pediment with a sundial in its tympanum. Each
narrow flanking face contains one window in each
storey, matching those in the central feature. The
Brick Lane front has four windows in the ground
storey, the middle ones paired, whereas the upper
storey has a stone-dressed Venetian window in the
centre and an arch-headed window on each side.
The gable-end of the roof here produces an even larger triangular pediment than that on the south
front, with a circular window in its tympanum.
Both fronts are faced with varied stocks of good
quality, and stone is used for the dressings and
ornamental features. These include the ground
storey plinth, the bandcourse between the two
storeys, and the crowning cornice; the sills on
consoles and the plain keystones of the windows
in both storeys; the two doorcases and the sundial
on the Fournier Street front, and the Venetian
window on the Brick Lane front. Each doorcase
has an arch-headed opening, with plain imposts
and keystone, flanked by Doric pilasters supporting an entablature, its cornice tying in with the
plain bandcourse between the storeys. The
Venetian window has a stone sill on consoles,
lining with the others in the upper storey, and
each side light is framed by Ionic plain-shafted
pilasters and an entablature from which springs
the moulded archivolt of the middle light. The
sundial has a tall rectangular face, inscribed with
Roman numerals and the words umbra sumus,
and the small segmental pediment-head is dated
1743. The stucco tablet lettered spitalfields
great synagogue, placed in the middle of the
Fournier Street front, is of nineteenth-century
character. The reconstructed roof, where dormers and a large skylight have been introduced to
serve the class-rooms constructed in the roof space,
is modern.

Figure 59:
Spualfields Great Synagogue, Fourier Street, and No. 59 Brick Lane, 1743, plan at gallery and first-floor levels
The general austerity of the interior is tempered
by the fine decorative woodwork of the gallery
fronts, the doorcases, and the re-used portions of
the original reredos. The plain plastered walls
and ceiling were originally linked by a deep
quadrant cove with groined intersections over the
window arches. The cove has been removed but
the simply moulded springing cornice remains.
The oak gallery front has a pedestal-like face, the
die being formed with long and short fielded
panels. Below this is a triglyphed entablature
supported by widely spaced Doric columns with
plain shafts, now marbled. The north-east bay
of the gallery has been isolated from the rest by
the removal of the next bay, and a high balustrade
has been added to the front generally. The oak
doorcases are very handsome, with moulded
architraves flanked by fluted Doric pilasters with
enriched capitals, supporting a triglyphed entablature that has rosettes in the metopes. Each doorcase is surmounted by a triangular pediment with a
carved and dentilled cornice. The present Torah
shrine on the east wall incorporates two bays of the
original reredos of carved oak. This was designed
as a blind arcade of five bays ranged between
fluted pilasters with Composite capitals, supporting
an entablature having a pulvino frieze and a
modillioned cornice. In front of the slightly
projecting middle bay stood the pulpit, its bombè
front introducing an agreeably Rococo note.
The front of No. 59 Brick Lane (now the
Talmud Torah Classes) is a severely simple design
of domestic character, built of varied stocks with a
stone plinth and coping. There are four widely
spaced windows in the second and third storeys,
and a similar arrangement is followed in the
ground storey with the doorway in the left-hand
opening. All the windows have flat arches of
gauged brickwork and stone sills; the frames,
which are recessed within four-and-a-half-inch
reveals, contain sashes with glazing bars of stout
section. The door is recessed in a fine wooden
doorcase, the reveals and soffit being panelled to
match the door. The tall opening is framed by a
straight-headed architrave, with plain narrow
jambs and consoles supporting the shallow cornice
hood. The stucco tablet, above the ground-floor
window arches, is modern.
The only noteworthy feature inside is the
staircase, strongly constructed of wood round a
narrow oblong well, with moulded closed strings,
turned balusters, and ramped moulded handrails
housed into the newels, which have Doric
column-shafts and ball finials.