Top Sources

By Region


Classifieds

Connected Histories
Search 15 major free & premium resources for early modern & 19th century Britain simultaneously now
connectedhistories.org
Reviews in history
Reviews of significant work in all fields of historical interest. Sign up for email alerts
history.ac.uk

Latest questions

dates What does the date 2d of Richard III mean and is...
Ebenezer Chapel Colchester There is an old chapel in Nunns Road in...
medieval law I am reading the rolls of the London Eyre 1244...

Memorials
1284

Sponsor

Centre for Metropolitan History

Publication

Author

H. T. Riley (editor)

Year published

1868

Supporting documents

Page

23

Annotate

Comment on this article
Double click anywhere on the text to add an annotation in-line

Citation Show another format:

'Memorials: 1284', Memorials of London and London Life: In the 13th, 14th and 15th centuries (1868), pp. 23. URL: http://british-history.ac.uk/report.aspx?compid=57634 Date accessed: 24 May 2013. Add to my bookshelf


Highlight

(Min 3 characters)

Acknowledgment made by a Painter.

12 Edward I. A.D. 1284. Letter-Book A. fol. xxxix. (Latin.)

On Friday, the Eve of St. Botolph [17 June], in the 12th year of the reign of King Edward, Nicholas Bacun, painter, (fn. 1) acknowledged that he was bound to Hugh Motun (fn. 2) in the sum of 20 shillings, for cinople, (fn. 3) vermilion, and canvas, varnish and verdigris; the same to be paid to the same Hugh or his certain attorney, 10 shillings at the Feast of St. Bartholomew [24 August], and 10 shillings at the Feast of St. Michael [29 September], without further delay. (fn. 4)

Footnotes

1 There is probably no earlier passage in existence than this, in allusion to varnish-painting on canvas.
2 The then City Chamberlain, who was probably a merchant as well.
3 Sinople, a green colour mentioned in old French heraldry, is no doubt the one here meant.
4 A passage in Liber Horn, fol. 341, temp. Edward II. (preserved at Guildhall), throws some light on this early allusion to oil-painting.—"Rules as to painting old and new saddles:—It is provided that no one put any but good and pure colours upon gold or silver; that is to say, good cynople, good green, good vermilion, or other colours, tempered with oil, and not brasil [a coarse red], or indigo of Baldas [? Bagdad], or any other bad colour."


<--Previous:
Memorials:
1283
Next:-->
Memorials:
1288